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DateLecture
25 November 2019Christmas Backstage at the Opera
28 October 2019Last Supper in Pompeii
23 September 2019Les Parisiennes
25 July 2019A Provocative Beauty: Art of Grayson Perry
27 June 2019 A Decorative Art: The History of Wallpaper
23 May 2019Photography as Fine Art
25 April 2019Florentine Disegno versus Venetian Colorito: Fact and Fiction in Early Art Theory
28 March 2019Captain James Cook and the Art of Exploration
28 February 2019Mantegna and Bellini
24 January 2019Temples, Tombs and Treasures: In Search of the Queen of Sheba
22 November 2018The Age of Jazz
25 October 2018Painters in Paradise: Visions of French Indochina
20 September 2018The Secret Language of Sacred Places: Religious Architecture of the World
26 July 2018The Visual Feast of Raoul Dufy
28 June 2018Tapestries: The ultimate wall decoration
24 May 2018Medieval Illuminated Books of Hours
26 April 2018The History of the Harp - from Mediterranean Antiquity to C20th Europe
22 March 2018Colour
22 February 2018Urban Noir: Edward Hopper's “Nighthawks”
25 January 2018Hidden Canvases - Street Art and the City
23 November 2017Getting under their Skins - Finding character and story in Renaissance art
26 October 2017Travellers Among Mountains and Streams - Masterpieces of Chinese Landscape Painting
28 September 2017The Partnership of Gertrude Jekyll with Edwin Lutyens
27 July 2017Peter the Great of Russia: building St Petersburg
22 June 2017The Challenge of Cubism and its legacy on twentieth century art
25 May 2017Germany's post-WW2 culture of memorials and counter-memorials
27 April 2017Tintoretto and the Scuola di San Rocco
16 March 2017‘Mars and the Muses’: The Renaissance Art of Armour
23 February 2017The Consolation of Movement -- The Sculpture of Edgar Degas and Auguste Rodin (Lecture sponsored by Clifton Ingram Solicitors)
26 January 2017The Legendary Lee Miller
24 November 2016Life and Art in Georgian Dublin
27 October 2016Who Says? Can We Trust the Expert on Good and Bad Art? (Lecture sponsored by Clifton Ingram Solicitors)
22 September 2016Early Flemish Painting and the Discovery of Oils
28 July 2016Thomas Heatherwick -- the modern Leonardo?
23 June 2016Tibet and the Roof of the World
26 May 2016Picasso and his Women
28 April 2016Paintings inspired by music, Music inspired by paintings
24 March 2016From Leonardo to You
25 February 2016The New Ashmolean
28 January 2016The formation of an English art style -- Hogarth and the St Martin's Lane Academy
26 November 2015Carl and Karin Larsson and the IKEA Effect
22 October 2015The Gate of Heroes -- on the China Trail
24 September 2015Aboriginal Art
23 July 2015Satirist to Insanity: celebrating the life and works of James Gillray (1756-1815)
25 June 2015Faber and Faber
28 May 2015The London Skyline
23 April 2015Italian Mosaics, Pompeii, Rome, Ravenna, Sicily, and Venice
26 March 2015Diaghilev and the Ballets Russes
26 February 2015Art of the First World War
22 January 2015William Morris, Philip Webb, and the Founding of the Building Conservation Movement
27 November 2014Joys of Impressionism
23 October 2014The Shakers of North America
25 September 2014Treasures of the Royal Collection
22 May 2014Introductory Free Meeting! From Egg to Bacon: British Painting 1850-1950

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Christmas Backstage at the Opera Sarah Lenton Monday 25 November 2019

How does the Royal Opera House cope at Christmas? 12 Bohèmes, 15 Hansel and Gretels and 24 Nutcrackers? Sarah Lenton’s first-hand account takes us into the wings, into the dressing rooms, up in the flys and onto the stage. Using clips, photos and interviews, we’ll enjoy a virtual reality trip around the theatre as the festive season swings into action. Sarah lifts the curtain on how everyone works together to make sure that those in the spotlight can give a world class performance.

Sarah Lenton has spent her working life in the theatre, principally at the Royal Opera House, Glyndebourne and English National Opera. She writes and gives lectures on operas and ballet alongside live opera broadcasts and podcasts for BBC Radios 3 and 4. She has written and directed many shows, including more than 20 for the Royal Opera House Linbury Studio Theatre and for Glyndebourne Touring Opera. Sarah is ordained and has recently been licensed as a West End Theatre Chaplain.

This lecture is sponsored by our partners Clifton Ingram Solicitors.

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